How to audit the biological consequences of every step in a living-material process.
Grinding, mixing, printing, moulding and assembling are not neutral operations carried out on biological matter. Each one changes the conditions the organism is living in.
Céline Oberholzer, Jennifer Marie Yabut and Ehsan Baharlou built a material from two things in their own household waste: cat litter made from corn and potato, and used coffee grounds.
They screened five recipes in dishes over nineteen days, scoring sideways spread, growth above the surface and growth down into the material separately. The best recipe was printed as one continuous folded line with roughly 3 mm gaps between lines, so threads could bridge across. Panels about 23 cm square and seven layers thick grew for three weeks, were killed, dried on a schedule borrowed from pottery, and mounted into a wooden screen.
Their stated limitation: three weeks was not enough for threads to grow through 2.1 cm.
This Reading is possible because of how that paper is written. The authors published their full recipe, recorded the iterations that failed, explained their choices, and stated their limitation without softening it. Papers doing all four are rare, partly because it exposes the work to exactly this kind of reading.
Each decision is set out the same way, with evidence kept at three separate levels.
The labels are there because plausible reasoning is not a result.
The full breakdown of all five decisions, with sourced evidence and testable hypotheses, is available to paid subscribers of Biodesign Academy.
Upgrade to readA fabrication parameter has no fixed biological direction. It has a direction relative to where the material must work and where it is likely to fail.
Two archetypes are useful, diagnostic rather than exhaustive, with most real objects somewhere between them.
The dish and the panel are the same recipe landing in different places on that axis. In the dish the interior is the whole problem and a fine grind removes what little air there is. In the panel every line has air on more than one side, so geometry relieves the interior limit.
A published number therefore carries its geometry with it, and moving it into a different shape can change what it does.